Interior Designer Jennifer Fuller's Bold Georgian Colonial
The Bryn Mawr home is a study in color, texture and a decidedly eclectic taste for the extraordinary.
(page 1 of 3)
As a rule, Jennifer Fuller is hired to interpret the styles, tastes and sensibilities of others. A rare exception came three years ago, when the interior designer moved to Bryn Mawr from Princeton, N.J., with her husband and two young daughters. For once, she had free reign to revel in her own ideals. “It was nice to bring in some strong colorations, some edginess and some things that are just fun,” she says. “There are so many fun people out there, and their houses need to reflect more personality.”
The Fuller house is anything but vanilla —that much is apparent the moment you step into the 1913 Georgian Colonial’s grand foyer, with its large-scale zebra-print rug and unexpectedly beautiful Venetian plaster treatment on the ceiling. As she did throughout the rest of the house, Fuller kept the foyer walls a neutral color so her collection of abstract art would stand on its own. A high-gloss black closet door and a deep-raspberry cushion on a gilded Art Deco chair sharply contrast the cream
walls. “I wanted people to be intrigued by the foyer—for it to have a ‘wow’ factor,” says Fuller. “It should make them want to see what’s happening throughout the rest of the house.”
From the start, Fuller was open to either a new or an old home. Now, she feels she has the best of both worlds. “This was an older house that had great bones and structure that I knew I could give more of a modern touch,” she says.
The previous owners had completely renovated the home. “But their tastes were very different from ours,” says Fuller. “This house was a creative platform where I could forge ahead and make it my own style.”